Kettle Blacksmith‘s Well, We Get These Rashes is supremely silly, and we really don’t blame you if you hate it. But in the right mood, it’s absolutely wonderful. It’s the brainchild of Patrick Farmer (who’s played with- among others- Chora, The Family Elan, Dom Lash, Matt Milton,  Fuzzy Lights, Last of the Real Hardmen, Birmingham Improvisers’ Orchestra and The Exploits of Elaine, and who runs the mighty Compost and Height netlabel) and Ben Houlihan, who played with Patrick in Welshpool’s Beefheartian loons Call it a Clunes.  Patch made me promise I wouldn’t mention Chris Corsano, so I won’t- but think of your other favourite improv drummer and imagine him having a fight with a tramp and you’ll be halfway there.

Altogether more sober is Talk Less, Say More‘s Proof Rock. Not only does this have quite possibly the best bad pun for an album title since Mercury Rev’s Yerself Is Steam, it’s a mighty combination of dubstep wobble, metal guitars and heartbreakingly gorgeous pop melody. Oh yeah, and it’s a concept album built around Jennings’ relationship with the poetry of T.S. Eliot and the City of London (as well as Eliot’s representation of London). It’s quite sumptuous stuff.

In the not too distant future we have releases from…

Earth Defence Force – Earth Defence Force

This’ll be our heaviest album yet. Another mighty Shropshire export, EDF take influence from all your favourite loud and fast bands. Check ‘em out on MurdochSpace. ‘Who Did It’ is particularly highly recommended.

The Exploits of Elaine – Plateau Suite.

A joint release with the mighty Gravid Hands (who’ll be putting out a lovely CD-R). Plateau Suite is a rollicking, clattering and rocking work of improv mayhem for those who like urban gamelan, balls out kraut grooves, ghostly melodies and morass like textures. Hear a couple of tracks (or ‘intensities’) here.

Les Etoiles – Little Measurements

More heart-breaking melancholy from Cardiff’s most brutal songwriter. Features contributions from EL Heath (among others), and higher production values than previous releases.

Spiral Jacobs – Prolegomenon

International Socialist Black Metal from the author of the mighty Cold World: The Aesthetics of Dejection and the Politics of Militant Despair. Cold, soaking blackened ambience somewhere between Aphex Twin and Burzum (but with far better politics).

Keep checking back. And follow us on twitter for updates and unsurpassed aphoristic wisdom.

We are also pleased to announce the status of Les Étoiles latest record, which has songs created in collaboration with other members of the Records On Ribs roster – Talk Less, Say More and EL Heath as well as others. I had the privilege to listen to some premastered versions – they were really genuinely beautiful, a real sonic progression, but still hugely moving. Once again, Tim Wright at Neume Audio has done an incredible production job, even adding his own work as a collaborator on a number of tracks. Indeed as a special treat you can hear his remix  of one of the tracks, A Year. On the album version the work is done in collaboration with the Martenot of EL Heath, but here Tim explores the album as a whole in a tremendously sad electroacoustic reworking. Watch the Les Étoiles MySpace for other tracks soon.

Here’s what Norman Records have to say about the release:

This record left our Phil feeling ecstatic.

Over the years we’ve sold about a million Epic 45 records. You guys… you love ‘em! Well here’s another one for you of sorts. It’s by EL Heath which is Eric from Epic 45 and it’s released on their Wayside And Woodland label. The album is named after Snailbeach lead Mine which was the largest lead mine in the UK back in the olden days when things were harder than they are now. He used to visit there as a child and it obviously had an effect on him as he’s returned as an adult after saving up for recording equipment and recorded some of the sounds of the rusted up machinery and built up an album around those sounds. Listening to it though you wouldn’t know that. It’s gorgeous and there’s not an industrial clank in site …… The Music is very much like latter Stars of The Lid (the last album comes to mind). Rich warm waves of neo classical drone wash over. Occasional vocal tracks take on a different approach as they go down a more British 60′s folk route….. They blend seamlessly as the folk tracks still have some of the those warm sounding drones in the background. A remarkably moving and soulful album which gets my highest recommendation!

We’ll be helping Wayside & Woodland host a download of the album soon. Downloading it will require a minimum donation of £1 to the Shropshire Mines Trust.

As with all our releases, it will be available for free download, but will be released alongside the original tape version, limited to sixty copies. This tape has been selling like those proverbial hot cakes in Ga’an’s native Chicago, even though it was unavailable outside their shows and the occasional boutique record shop. It is, of course, hand made and very very weird, and containing unexpected trinkets and secrets of various kinds.

Pre-order will be up in a couple of days and it will be released on the 18th of March. We are also glad that prog historian Ed Knock, who blogs over at the The Crystal World, will be providing sleeve notes and the online version will feature brand new, never before seen artwork.

Servant Eye

I of Infinite Forms

We are also pleased to announce another addition to our roster – Blue Ducks. Blue Ducks is the project of one Justin Colley, ex-of our marvelous gabba-pop artists Gay Death Probe who are now on “permanent hiatus”. Blue Ducks make electronic hip-hop with inflections of aqua-crunk and wonky, “music for people too cool to dance”, well within the lines of the post-Dilla, Stones Throw Records swagger. The EP ‘Six’ will be with us shortly.

Here is a the opening track for your delight – Floss Suffers From Gamma Radiation.

And heck, for contrast, here is the quite special closer…Farewell To Floss.

All The Empires of the World

Yes! After their critically acclaimed ‘Last Rites EP’, All The Empires of the World will (very) shortly be releasing their full length debut Blessings with us. It sees them moving in a slightly more progressive direction, but without toning down any of their trademark stargazing sludge. A second version- featuring contributions from members of Astrohenge, The Exploits of Elaine, …And Stars Collide and others will be out sometime in the new year too. Bonus!

Spiral Jacobs

Mr Dominic Fox has just published an excellent book. It is worth quoting the blurb in full:

To live well in the world one must be able to enjoy it: to love, Freud says, and work. Dejection is the state of being in which such enjoyment is no longer possible. There is an aesthetic dimension to dejection, in which the world appears in a new light. In this book, the dark serenity of dejection is examined through a study of the poetry of Hopkins and Coleridge, and the music of ‘depressive’ black metal artists such as Burzum and Xasthur. The author then develops a theory of ‘militant dysphoria’ via an analysis of the writings of the Red Army Fraction’s activist-theoretician, Ulrike Meinhof. The book argues that the ‘cold world’ of dejection is one in which new creative and political possibilities, as well as dangers, can arise. It is not enough to live well in the world: one must also be able to affirm that another world is possible.

And we will be releasing his excellent companion album, Prolegomenon. Eight dysphoric tracks of hopeful alienation: International Socialist Ambient Black Metal for a cold world and for a better world. Cover art from Toby Price.

EL Heath

Fresh from touring Europe with epic45, EL Heath is putting the finishing touches to an album about the long clsoed Snailbeach Lead Mines, which are near his Shropshire home. Tracks evoke the eerieness of desolation whilst purveying a sense of the clatter that once must have filled these mines. Three tracks can be heard on his myspace, including Heath’s first venture into ‘conventional’ songwriting with the heartbreaking ‘Tragedy at George’s Shaft’. We will be actively seeking donations for this release, with all proceeds going to the Shropshire Mines Trust. The new year will also see Heath release his mini-album Shropshire Hill Country via Wayside and Woodland.

Ga’an

We’re just a little bit excited about this one. Ga’an are a Chicago band who blend the aesthetics of prog, kraut, ambient, post-punk and black metal to create something compellingly otherworldly. They’ve self-released two tapes thus far and we’re mind-blowingly excited to be able to re-release them. Vultures of the Horn II: Living Tribunal is one of my absolute favourite pieces of music right now.

Earth Defence Force

Last but by no means least, purveyors of the finest hardcore/punk/metal Earth Defence Force will be gracing Records On Ribs with their debut album once we sort album artwork out. Recorded by production genius Ian Boult at the marvellous Stuck On A Name Recordings, Nottingham. Imminent riffs.

To Leave A Mark, Les Étoiles’ homage to his home town of Brignorth, is released today, and will be launched in style at a party at Jam Cafe in Nottingham tonight. Come down from 8pm to watch Les Étoiles and El Heath perform, and listen to the ROR DJs spin some tunes whilst enjoying a delicious beer or two. If you can’t make it (and why not?), you’ll have to make do with downloading the album – it’s certainly one of my favourite records of the year so far.

We’re delighted to announce that AtEotW are continuing in the classic heavy metal tradition of announcing your retirement only to come back with new material. Thus spake main man Mark Thomas:

Finally! An album! We’ve decided to stop faffing around with EPs – they’re for squares: OFFICI. The provisional title is TITAN OF LIGHT

Yes. Exxxtreme slvdge kvlt epvic mvtvl. Provisional (again, because commitment is an unreliable frame of reference) track listing is as follows:

1. The Sands Of Saturn
2. Of The Father/Ghosts Of The Sargasso
3. [I Perceive Your Resonance]
4. ???? ?????
5. Titan Of Light
6. The Prophet I
7. The Prophet II: Soleil

If you’ve seen us live, you might have heard the first track – the rest are all BRAND FUCKIN NEW HOLMES. All tracks are, of course, 700 billion years long. Expect guest appearances from BARE MANS.

So now you know.

Meanwhile, the now inaccurately titled Last Rites continues to impress, making Sputnik Music’s recommended ‘Under the Radar’ releases of ’09 so far.

Leaving its Mark

Les Étoiles’ forthcoming album To Leave A Mark is more accurately titled though: a quite wonderful essay on its themes here (which we’re going to print as liner notes for physical copies) and a lovely review here. Both pieces really add worthwhile readings to this stunning album.

It is, of course, out on Friday the 18th September (as free download from here and a ltd.edition CD with photographs and lyric sheets from here and Norman Records), and we’re having a very special launch party at Jam Cafe in Nottingham to celebrate, with EL Heath and Les Étoiles playing live sets.

You wait a year for a new release by Talk Less, Say More and like the proverbial bus, two come along at once. I Don’t Know Where I Am, I Don’t Know What I’m Doing is out today, the companion piece to last year’s Go Lucky, but a great record in its own right, the finest in pop music.

As some might have already noticed, we have a presence at SoundCloud. You can submit demos and that sort of thing via our DropBox. It is very well designed website indeed. Here is a track from the above for your delight.

Talk Less, Say More – You Were Right About Me by Records On Ribs