We’re delighted to announce that we’ll be releasing Talk Less Say More’s album Violent in February of next year. The follow-up to 2012’s critically acclaimed England Without Rain, it’s another stonking record full of hooks, curveballs and hands-in-the-air triumph. Like its predecessor, though, there’s a darkness (a violence, even) lurking in the background.

With an expanded instrumental palette and stunning songwriting we’re confident you’ll love it. It’ll be released on 9th February as high quality MP3/FLAC and on CD.

‘it’s time to reclaim pop. Let “England Without Rain” be your first step’– Contact Music

On 26th February we’ll be releasing England Without Rain, our sixth full length release from Talk Less, Say More and his strongest work yet (yes, we know labels always say that – but trust us on this one). We struggled for hours to write the press release for this because we’re so hyped about it, and we think you’ll be hooked on just one listen too. Quite simply, it’s a brilliant pop record which should appeal to anyone who likes Hot Chip, Kompakt Records, 808s and Heartbreaks era Kanye or 80s Fleetwood Mac; or, for that matter, anyone who has ears.  If you can’t wait until released date, you can stream the whole thing already, and we certainly advise that you do:

It’s been a busy time at RoR Cybertowers, for largely non-RoR related reasons. But with PhDs out of the way, house moves completed and much more besides we’re delighted to announce an exciting run of releases for you over the next few months.

This will begin on Wednesday 9th November with the much-anticipated release of Return, the third (and final) release from All The Empires of the World. It’s a monstrous record that amplifies the Jodorowsky desert vibes of Blessings with Godflesh menace and their most extreme sonic explorations yet.

All The Empires of the World's Return, out on Nov 9th

Following that we’ll be releasing England Without Rain by Talk Less, Say More. This is Jell’s poppiest album to date, and perhaps also his most experimental: the restrictive form of the pop song giving rise to all sorts of playful brilliance which will appeal to fans of Hot Chip, Junior Boys and WhoMadeWho, as well as his earlier work for us.

In the more distant future we’ve got releases from a fantastic slew of new ‘signings’. Expect insurrectionary no-wave pop from L.H.O.O.Q., haunted noise from Ghostly Porters, dissonantly beautiful modern composition from Syuzhet and broken kraut from The Exploits of Elaine. We also hope to release a recording of Surfacing‘s commission for Nottingham Contemporary art gallery. Entitled What Is This That Stands Before Me it’s a piece exploring dissonance and hope and is inspired by Klaus Weber’s sculpture Large Dark Windchime (Arab Tritone). You can book to see it performed (for free) here– there will also be a talk on dissonance, political organisation and hope (full abstract on the link).

We also hope to be able to announce a new release from EL Heath soon, but in the meantime we advise you to purchase his excellent new album on Wayside and Woodland- Haunted Woodland Vol. 2, which you can (and should) buy from Norman Records. It’s the second in a series of limited edition albums in which Wayside and Woodland artists explore the darkness and decay of the Staffordshire and Shropshire woodland and is inspired by Longnor woods in Shropshire (not to mention The White Lady of Longnor): it’s quite the ghostly treat and will appeal to fans of Ghost Box and Miasmah Records, as well as Eric’s releases for us. But be quick, there are only 50 and they won’t last long!

You might also like to check out a set from EL Heath recorded for IKON gallery’s Slow Boat Festival back in September, which is streaming here. This was recorded on a narrow boat as it trundled around Birmingham’s canals and finds Heath backed by members of epic45 and Rob Dunsford.

We’ve snuck out another couple of releases since our last update, and mighty fine they are too. And there’s much more to come…

Kettle Blacksmith‘s Well, We Get These Rashes is supremely silly, and we really don’t blame you if you hate it. But in the right mood, it’s absolutely wonderful. It’s the brainchild of Patrick Farmer (who’s played with- among others- Chora, The Family Elan, Dom Lash, Matt Milton,  Fuzzy Lights, Last of the Real Hardmen, Birmingham Improvisers’ Orchestra and The Exploits of Elaine, and who runs the mighty Compost and Height netlabel) and Ben Houlihan, who played with Patrick in Welshpool’s Beefheartian loons Call it a Clunes.  Patch made me promise I wouldn’t mention Chris Corsano, so I won’t- but think of your other favourite improv drummer and imagine him having a fight with a tramp and you’ll be halfway there.

Altogether more sober is Talk Less, Say More‘s Proof Rock. Not only does this have quite possibly the best bad pun for an album title since Mercury Rev’s Yerself Is Steam, it’s a mighty combination of dubstep wobble, metal guitars and heartbreakingly gorgeous pop melody. Oh yeah, and it’s a concept album built around Jennings’ relationship with the poetry of T.S. Eliot and the City of London (as well as Eliot’s representation of London). It’s quite sumptuous stuff.

In the not too distant future we have releases from…

Earth Defence Force – Earth Defence Force

This’ll be our heaviest album yet. Another mighty Shropshire export, EDF take influence from all your favourite loud and fast bands. Check ’em out on MurdochSpace. ‘Who Did It’ is particularly highly recommended.

The Exploits of Elaine – Plateau Suite.

A joint release with the mighty Gravid Hands (who’ll be putting out a lovely CD-R). Plateau Suite is a rollicking, clattering and rocking work of improv mayhem for those who like urban gamelan, balls out kraut grooves, ghostly melodies and morass like textures. Hear a couple of tracks (or ‘intensities’) here.

Les Etoiles – Little Measurements

More heart-breaking melancholy from Cardiff’s most brutal songwriter. Features contributions from EL Heath (among others), and higher production values than previous releases.

Spiral Jacobs – Prolegomenon

International Socialist Black Metal from the author of the mighty Cold World: The Aesthetics of Dejection and the Politics of Militant Despair. Cold, soaking blackened ambience somewhere between Aphex Twin and Burzum (but with far better politics).

Keep checking back. And follow us on twitter for updates and unsurpassed aphoristic wisdom.